𝑎𝑛 𝑖𝑛𝑡𝑒𝑟𝑛𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝑓𝑒𝑠𝑡𝑖𝑣𝑎𝑙
𝑖𝑛𝑖𝑡𝑖𝑎𝑡𝑒𝑑 EUNIC-Romania
(𝐸𝑢𝑟𝑜𝑝𝑒𝑎𝑛 𝑈𝑛𝑖𝑜𝑛 𝑜𝑓 𝑁𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝐼𝑛𝑠𝑡𝑖𝑡𝑢𝑡𝑒𝑠 𝑓𝑜𝑟 𝐶𝑢𝑙𝑡𝑢𝑟𝑒)
𝑖𝑛 𝑝𝑎𝑟𝑡𝑛𝑒𝑟𝑠ℎ𝑖𝑝 𝑤𝑖𝑡ℎ 𝐺𝑟𝑒𝑒𝑛 𝐻𝑜𝑢𝑟𝑠

outdoor, in the Green Hours’ garden

𝐉𝐮𝐧𝐞 𝟐𝟑𝐫𝐝-𝟐𝟓𝐭𝐡, 𝟐𝟎𝟐𝟑
𝐆𝐫𝐞𝐞𝐧 𝐇𝐨𝐮𝐫𝐬 𝐆𝐚𝐫𝐝𝐞𝐧

Of all the languages in the world, the language of music is perhaps the easiest to understand to transmit, and it has no borders.
The 3rd edition of the JAZZUNIQUE festival will bring an impressive, diverse and colorful programme to the Green Hours stage between June 23rd-25th, welcoming the audience with the urge to liberate ourselves through music.

We are waiting for you with open hearts and ears.
Let there be peace, let there be jazz!

Program seara 2:

June 24th

Their first album “Secret Place”, released on the NoMadMusic label, features landscapes that are sometimes urban, sometimes wild, speaks of encounters and invites us to travel. It is a virtuoso and highly modern combination of three instruments rarely brought together.

”The jazz magician can create an intimate bond with his audience through the senses, and for his first album, the Noé Clerc Trio has chosen the dreamy way. From the outset, the young trio moves us by revealing its musical intimacy and its various inspirations in “Secret Place”. (…) The ear happily wanders through this secret garden, a painting in which the three young musicians show great maturity in the finesse of their lines and the choice of colours. The palette is daring: blues, contemporary jazz, impressionist and traditional music.”
(Album Revelation, Jazz Magazine, Walden Gauthier)

𝑇ℎ𝑖𝑠 𝑐𝑜𝑛𝑐𝑒𝑟𝑡 𝑖𝑠 𝑏𝑒𝑖𝑛𝑔 𝑝𝑒𝑟𝑓𝑜𝑟𝑚𝑒𝑑 𝑎𝑠 𝑝𝑎𝑟𝑡 𝑜𝑓 𝑡ℎ𝑒 “𝐽𝑎𝑧𝑧 𝑀𝑖𝑔𝑟𝑎𝑡𝑖𝑜𝑛” 𝑠𝑒𝑟𝑖𝑒𝑠 𝑒𝑠𝑡𝑎𝑏𝑙𝑖𝑠ℎ𝑒𝑑 𝑏𝑦 𝐴𝐽𝐶 𝑡𝑜 𝑠𝑢𝑝𝑝𝑜𝑟𝑡 𝑡ℎ𝑒 𝑝𝑟𝑜𝑓𝑒𝑠𝑠𝑖𝑜𝑛𝑎𝑙 𝑑𝑒𝑣𝑒𝑙𝑜𝑝𝑚𝑒𝑛𝑡 𝑜𝑓 𝑛𝑒𝑤 𝑗𝑎𝑧𝑧 𝑔𝑟𝑜𝑢𝑝𝑠.

The concept album is the synthesis of Paolo’s twenty-five years of living together with his orchestral guitar, pushed to the limit of expressive timbral potential, but the narration is weaved by the nasal voice with a Sardinian-Iberian flavour, which relies on the quatrains of Gallura and Logudorese poets of the 1700s and 1800s.

Rade’s music emerges like a wreck loaded with memory, wrapped in blinding light, the long sea is a silver surface, the Sardinian chant blends and confuses with sonorities that evoke a secular prayer.

Rade is the must of the last century, forgotten in the galley, aged, which leaves the tannin in the glass glasses, to abandon oneself to the memory of light visions embalmed by the saltiness. The light of the sea enters our homes, with the explosive force of a Mediterranean avant-garde transmitted orally by a joyful Charon who, imagining a navigation that knows no borders, expresses himself in a thousand languages, uses them for a moment and then throws them away .